Caroline Miekina-Houseman

A freelance illustrator with more than 30 years’ experience, Caroline Miekina-Houseman has adapted her craft for use in the digital age.  After all this time she is still excited by the many different styles and applications of the genre. She prefers to think she is not typecast, and is fluid and adaptable, but concedes that her portfolio has a certain colourful, playful, upbeat consistency, which she hopes sums up her attitude to her life and her work.

Arbeia Roman Fort Septimius Severus family jigsaw interactive

Having made the transition from traditional media to digital in the late 1990s, she now enjoys blending the “integrity” of the hand-drawn with the “excitement and freedom” of digital. She continues to use a range of media, from oils to vectors.

smarties packaging

Over the years, her illustrations have been used by clients including: Nestle UK in York for its seasonal packaging for Smarties and Milky Bar; advertising agencies producing educational, medical and architectural literature; and an impressive range of museums and galleries.

Pipiatum Latin app - ALL

“Some of my early influences were the greats of the Golden Age of Illustration,” says the Harrogate School of Art and Design (HSAD) media lecturer. She refers to the “flowering” of mass printing and publishing that occurred during the industrial revolution. These influences still underpin her professional practice and her current MA research draws upon parallels between that era and the present.

Caroline says:

“Arthur Rackham, one of my all-time heroes, is a very good example of a traditionally trained artist who was able to take advantage of the rapid progress of new technology and infrastructure in the late-Victorian epoch to share his phenomenal work with a worldwide audience. In a similar way, illustrators and creative people in general are now discovering that we can use evolving technology to share our work in new ways. We have to move along with current practice and be prepared to take advantage of all the new avenues that are available to us.”

ECM explore discover and realise - ALL

Caroline has lectured at HSAD on a part-time basis since 2002, and has found a niche teaching digital media. She specialises in illustration, graphics, retouching, photo manipulation, 3D visuals and spatial design.

She delivers modules on the FdA Visual Arts, Interior Architecture and BA Applied Creative Design courses, as well as running evening classes in Adobe Photoshop and Illustrator.

Keswick Museum and Art Gallery - exhibition hall

Keswick Museym and Art Gallery Mountain Heritge room

In 2009, she joined forces with museum designers JANVS Design, for whom Caroline has produced designs, 3D concepts, visuals and illustrations for clients such as: National Trust – Clumber Park Discovery Centre; London Transport Museum; National Coal Mining Museum; Waterford Viking Triangle; and the recently opened temporary exhibition ‘Strike a Pose’ at the National Football Museum in Manchester.

Her illustrations have been commissioned for use in two recent temporary exhibitions in Mickelgate Bar, York commissioned by York Archaeological Trust; The Battle of Towton 2011-2012 and A Royal Gateway 2012-2013.

3 Towton Who's Who II Lancastrians col

Caroline’s current research interest is an MA in Image and Time-Based Media. She is linking sequential imagery and the story telling legacy that found favour during the golden age of illustration with research on the historical and academic aspects of an 18th-century North Yorkshire hero, Jack Metcalf, commonly known as Blind Jack of Knaresborough.

She is working on 12 finished images, based on an anonymous contemporary account of his life, The Life and Times of Jack Metcalf. These will be exhibited at Henshaw’s Arts and Craft centre for blind people in May 2014.

“It’s an extraordinary story about an extraordinary character. He had a series of very physical adventures, including taking part in the Jacobite rebellion of 1745, marching with the king’s army and playing his fiddle … it’s hard to believe that Blind Jack had no peripheral vision at all, and it’s certainly an avenue I am investigating as part of my research. I’m trying to bring that story into a form that 15 to 18-year-olds would engage with, and bring to life the rollicking adventure story that it is.

“I know from my experiences teaching National Diploma Graphics and Multimedia that it can be quite a difficult audience to impress,” says Caroline, “it needs to be presented in a style or styles that will grab their attention and make them want to find out more.”

Viking Zwartbles Xmas 2008

In her spare time Caroline enjoys playing the violin and helping her husband to look after their flock of Zwartbles sheep – not necessarily at the same time.

Caroline has BA (Hons) in Art and Design from North Staffordshire Polytechnic and a PGCE from Huddersfield University.

Some examples of her work can be seen at www.miekinaillustration.co.uk and on her blog.

Some of the museum, gallery and visitor centre projects she has worked on can be seen HERE.

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Naomi Bolser

Naomi Bolser

Based in Harrogate, Naomi has an impressive career track record. She has been involved in the production of art video since the late 1980s; is dedicated to art education; and has been teaching since 2000.

Inspiring students is key to Naomi’s educational philosophy.

“In the past, my community work has taken video production to people who wouldn’t normally have access to it,” she says. “I worked with community groups and individuals to create videos about issues that were important to them.”

Naomi has created video art installations, backed by grants the Arts Council and South West Arts.

“I’m doing a practice-based PhD at Leeds University,” she says. “This involves researching and building archives of Women’s Independent Moving Image Practice – it’s about exploring art video and its context.”

Asking Is There a Tradition of Women’s Independent Moving Image Practice? Naomi’s PhD research focuses on women’s roles in avante garde, art and experimental production, within both the historical and contemporary contexts. She aims to re-examine non-mainstream productions in light of recent feminist scholarship; and to build a canon of women’s practice for exhibition, that will include her own work. Naomi Is working towards an international exhibition in 2015.

“One of the most important aspects of this process is how the discipline and rigour of studying for a PhD informs my teaching,” she says. “It’s been extremely beneficial.”

Her personal archive of work, including an award-winning MA Super 8 video project, Timepiece, will form part of the research.

Timepiece was picked by contemporary art directory, Axis, to be one of its “MA Stars” in 2005.

Danielle Treanor, of Axis, says on the organisation’s website: “She gently instigates a genuine interaction from the viewer. She expects us to confront that strange epistemic distance that ‘film’ creates between the material and the mind’s eye and in doing so cleverly calls into question innate consumerism and ready acceptance of a mass media memory machine.”

Naomi has a degree in Cultural Studies from North East London Polytechnic, an MA in Video from Middlesex University and an MA in Fine Art from Leeds University, where she specialised in digital and super 8 moving image production. A Fellow of the Higher Education Academy, in 2011 Naomi started a practice-based PhD at the Institute of Communication Studies, Leeds University.

Other works – Walk In The Park